Such a self-contained premise could wear very thin, very quickly, in lesser hands, but Berberian Sound Studio executes itself perfectly in attention to detail. Thus, we accompany him on his journey through what is an inescapable film, and may or may not be an inescapable episode in his life, full stop. ![]() This we never witness, our interaction with this film-within-a-film strictly non-visual, via barked orders from the stereotypically obnoxious producer actresses screaming in the sound booth an array of fruit and vegetables the team stab and tear in order to create the sounds of murder on screen and Gilderoy’s troubled expression. ![]() It is with Gilderoy that we learn the true nature of the film he has been invited to help make, a low-budget horror that features what he considers appalling violence. This is a man who is likely out of his comfort zone in having left his idyllic home in Dorking at all, and it is immediately clear that the sound role he has flown out for is not what he has been expecting: an equestrian film literally a movie about horse-riding. Greeted by the sound of screaming, he is alarmed, his mousey, submissive demeanour intimidated by an exceptionally rude receptionist. We open with our central character, Gilderoy, arriving at a film studio in Rome. ![]() And it really is quite something to behold a genuine pleasure from beginning to end and possibly the best this year’s FrightFest had to offer. DIRECTORPeter Strickland WRITER Peter Strickland STARS Toby Jones Antonio Mancino Guido Adorni CINEMA 31 Augustĭespite director Peter Strickland citing Death Laid An Egg as his main influence, the remarkable Berberian Sound Studio - only his second feature - is strangely accessible for a giallo come art-house film.
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